Showing Collections: 1 - 14 of 14
This collection of papers consists of materials created by Grace Atkinson Oliver, a 19th century American author and advocate of women's rights. Notable topics discussed in the papers include the portrayal of women in literature, morality and the press, taxation and the conditions at Danvers Asylum in Massachusetts.
A four-volume illustrated memoir, in scrapbook form, of the World War I military service of Humphrey M. Barbour, an artillery officer in the American Army's 42nd (Rainbow) Division. In addition to a 220-page typescript memoir the volumes contain close to 1000 photographic prints, postcards, published halftones, maps, manuscript military records, and drawings relating to Barbour's service, 1917 to 1919.
A collection of letters and other papers belonging to Jesús González Ortega, an important political and military figure in mid-19th century Mexico. The papers mainly relate to González Ortega's stay in the United States in 1865-1867, the efforts of Benito Juárez's government in Mexico to remove him from political office while he was away, and his detainment by the U.S. government in November 1866.
The correspondence and other papers of the American Lenore Mooney (1859-1941), dating especially from her time as a relief worker in Paris during World War I. There are many letters to Mooney from French soldiers and others victimized by the war, as well as a substantial correspondence with nephew Charles E. Bayly, Jr., an ambulance driver with the American Field Service who subsequently served as sous-lieutenant in the French army.
Three idiosyncratic manuscript journals of deeply cynical leftist political commentary, written by an unidentified Irish-American resident of Pittsburgh, ca. 1922-1932. The journals treat local, national, and international affairs, contemporaneous and historical: there is much on World War I, Ireland, and American politics generally. The volumes are illustrated with some 750 drawings, many of them portraits.
A collection of research files comprised of printed ephemera, correspondence, manuscripts, audio recordings, and other materials documenting the activities and work of more than 100 conceptual artists, assembled by Robert C. Morgan during his professional career as an artist, art historian, curator, and author from 1968-2015.