Contains a letter from Anna de Noailles to an unknown female recipient regarding changes to a meeting agenda for a society. Written in a secretary's hand, signed Comtesse de Noailles as well as Jane Dielapa.

Contains handwritten copies of three letters sent from Anna de Noailles to the Greek poet Jean Moréas. In the first letter, filled with classical allusions, Noailles entreats Moréas to come to Strasbourg to perform his own poetry. The second letter continues the allusions along with her thanks for sending her his book. The third letter concerns Noailles' general admiration for Moréas and his work.

Contains a letter from Anna de Noailles to Francis Chevassu concerning Noailles sendingg Chevassu a copy of Henri Franck's work.

Contains a letter from Anna de Noailles to Mademoiselle de Larnage concerning "Alastair" and "André," whom Dr. Catherine Perry has identified as being the illustrator Hans-Henning von Voigt and journalist André Germain, respectively. Noailles suggests "Alastair" would enjoy an apartment in Paris where the Japanese painter Tsuguharu Foujita lives.

Contains a brief telegram from Anna de Noailles to Madame Vivier, inquiring about meeting.

Contains a letter from Anna de Noailles to Madame Séverine concerning an article by a Monsieur Cassagnac.

Dr. Catherine Perry identifies Cassagnac as the journalist Paul Cassagnac, and believes the letter likely dates to 1902 December 2nd based on both Cassgnac's death in 1904 as well as the day of the week transcribed as "Mardi." There is a strong possibility the day should be transcribed as "Mercredi," dating the letter to 1903 December 2.

Contains a letter from Anna de Noailles to Jean Tenant concerning some pages she had written about an eminent poet, with a request to return to her some manuscript proofs. Signed Comtesse de Noailles.

From the notes of Dr. Catherine Perry: "This 'eminent poet' is Cécile Sauvage, and the manuscript Noailles [sent] Jean Tenant is her article “Le Lyrisme de Cécile Sauvage,” which was... published in Tenant’s journal Les Amitiés, in September 1928.

Contains a letter from Anna de Noailles to the literary critic André du Fresnois asking him to visit her.

Contains a letter written by Anna de Noailles' secretary, Madame Sauton, to the essayist and art critic, Léandre Vaillat. Sauton notes Noailles was too ill to write herself, though Noailles wished to know how much she should write for Vaillat and for what deadline.

Contians a brief letter written by Anna de Noailles to the translator Suzanne Kra to thank her.

Contians a letter written by Anna de Noailles to the journalist Arthur Meyer to congratulate him on his newspaper, Le Gaulois.

Contains a letter written by Anna de Noailles to the poet "Louis Focilly," corrected by another hand to "Louis Foisil," the poet. Noailles thanks Foisil for the verses he wrote and dedicated to her in the margins of a copy of her work L'Ombre de Jours.

The letter has a unique format, appearing as a quire of two glued bifolia, with the inner leaf having rounded edges.

Contains two letters from Anna de Noailles to Dr. Raymond Mallet. One notes that Noailles would prefer to telephone, the other refers to mutual friends as well as Noailles' illness.

Contains a letter from Anna de Noailles to the writer Claude Anet, the pseudonym of tennis player Jean Schopfer. The letter is written on mourning paper and contains Noailles' regret at having to turn down an invitation to Anet's party due to her grief.

Contains at letter from Anna de Noailles to folklorist Raymond Geiger. Noailles thanks Geiger profusely for his words in his preface to Henri Franck's posthumous work, La Danse devant l’Arche. Franck was a close friend of Noailles.

Contains a note from Anna de Noailles to Maurice Landeau, directeur of Belles-Lettres, concerning some lines of poetry Noailles wished to send Landeau. Written on a visiting card with a black mourning border and enclosed in an envelope also with mourning border.

Contains three letters from Anna de Noailles to the literary critic Maurice Levaillant. In the first letter Noailles thanks Levaillant for his praise of her in Le Figaro, the second letter thanks him for his friendship, and the third letter thanks Levaillant for his recent praise in Le Figaro as well as complains about the nonchalance of their mutual publisher, Bernard Grasset.

Contains a letter from Anna de Noailles to the politician and poet, Charles Maurras, concerning poetry.

Contains a letter from Anna de Noailles to Jean Royère, directeur of the journal La Phalange. Noailles requested that Royère pay her a visit with a copy of a Revue he had earlier in order for her to check its dimensions against some poems she had already written.

Contains a letter from Anna de Noailles to Henri, le Comte Greffulhe concerning flowers and a previous visit, along with a brief mention of the Comte's wife, the socialite Élisabeth Greffulhe.

Contains a letter from Anna de Noailles to the novelist Victor Margueritte concerning her gratitude for his praise of her work.

Contains a letter from Anna de Noailles to the translator, Frédéric Roger-Cornaz asking him to pay her a visit. Signed Comtesse de Noailles.

Contains a brief letter of thanks from Anna de Noailles to the playwright Robert de Flers.

Contains a brief letter of thanks from Anna de Noailles to an unknown female recipient.

Contains a letter of thanks from Anna de Noailles to an unknown female recipient, concerning the recipients poetry.

Contians a brief letter of thanks from Anna de Noailles' son Anne-Jules de Noailles to an unknown recipient.

Contains a letter from the journalist Maurice Martin du Gard to the politician Jacques Debû-Bridel concerning Debû-Bridel's article "Caractères et Confidences" along with a brief mention of Anna de Noailles.

Contains four manuscript fragments. One fragment mentions Madame Colette, another is a single line with Noailles' signature, the third is an unfinished poem, the fourth another single line poem with Noailles' signature.

Fragment of a note asking to correct spellings for a proof.

Contains a manuscript draft of the poem, "Île-de-France," later published in Noailles' L’Ombre des jours in 1902.