Box 6
Contains 50 Results:
Letters, Eduard Limonov from Marilyn Mazer [?], 1978 August
These letters focus on Mazer's experiences in Jerusalem. She served as the inspiration for one of the characters in Limonov's novel Eto ia Edichka.
Letter, Eduard Limonov from Iurii Miloslavskii, 1980 January 30
Miloslavskii sent this letter to Limonov from Jerusalem, where he worked as a correspondent for Radio Liberty.
Letters, Eduard Limonov from his parents, 1980 January-1980 March
The letters are addressed to Limonov from his parents, Veniamin Savenko and Raisa Zybina. It appears that Raisa composed the letters herself. She expresses a sense of isolation from her son and implores him to write more often.
Letters, Eduard Limonov from Aleksandr Radashkevich, 1980 February-1980 November
Radashkevich worked at Yale University at the time he wrote these letters. They discuss his reaction to Limonov's work.
Letters, Eduard Limonov from Dmitrii Savitskii, 1980 January-1980 April
In the letters, Savitskii discusses his life in Paris.
Letters, Eduard Limonov from Lars Severinsen, 1975
Correspondence, Eduard Limonov with Elena Shchapova [de Carli], circa 1974-1976
Shchapova was married to Limonov from 1973 to 1976. She left the Soviet Union with Limonov in 1974. These 16 letters or notes consist of everyday messages and reminders that the two left for each other while living together in New York City.
Letters, Eduard Limonov to Elena Shchapova [de Carli], circa 1976
Limonov composed these letters in the midst of his breakup and eventual divorce from Shchapova.
Letters, Eduard Limonov to Elena Shchapova [de Carli], circa 1976
Limonov composed these letters in the midst of his breakup and eventual divorce from Shchapova. In them he expresses his desire for her to keep her things after he leaves.
Letters, Eduard Limonov to Elena Shchapova [de Carli], 1980 Februray 21
Limonov composed this letter after Shchapova had remarried. Two drafts of the letter are present in the folder, in addition to an envelope. However, it is unclear whether or not Limonov sent the letter to her.
Letter, Eduard Limonov to Mikhail Shemiakin, circa 1977
A draft of a letter from Limonov to Shemiakin in which he describes his novel Eto ia Edichka.
Letters, Eduard Limonov from Sasha Sokolov, 1980 January-1980 April
Sokolov, the renowned author of works like Shkola dlia durakov [A School for Fools], wrote these letters as part of preparations for Limonov's tour of California.
Letter, Eduard Limonov from lena Zvereva, undated
"Letter" consists of an Easter greeting card.
Letters, Eduard Limonov from various American Publishers, circa 1979
A series of letters from publishers including Quadrangle, the New Yorker, and New Directions that all decline Limonov's work for publication. The enclosure consists of a chapter-by-chapter synopsis of It's Me, Edicka.
Letter, Eduard Limonov from Carl Proffer, 1979 May 3
Proffer was a literary scholar and co-founder of the publishing house Ardis. In this letter, he expresses his decision not to publish Limonov's novel Eto ia Edichka.
Correspondence, Eduard Limonov with Roger Straus, 1979 June-1979 October
In these letters, Limonov and Straus discuss the possibility of publishing It's me, Edichka through Farrar, Straus and Giroux, Inc.
Letter, Eduard Limonov to Daniel Weissbort, undated
Daniel Weissbort co-founded the journal Modern Poetry in Translation with Ted Hughes. In this letter, Limonov presents a series of poems from his book The Secret Notebook for Weissbort's consideration.
Letters, Eduard Limonov to The New York Times, circa 1976
Several open letters, some with drafts, that Limonov and Valentin Prussakov addressed to The New York Times.
Letters, Eduard Limonov to unnamed editors, circa 1976
Letters to the editors of two media outlets about their coverage of various issues, including the lives of emigres in New York City and the government's treatment of Patricia Hearst.
Letter, Eduard Limonov to the editors of, 1978 April 18
Letter to the editor of The Village Voice about the newspaper's coverage of events in the Middle East.