Box 1
Contains 53 Results:
Photocopied article. Title missing, on Stanford's aquistion of Creeley archive, undated
Photocopied typescript. Robert Grenier, "A Little Light from the Boarders," Black Spring: The Lawrence Issue, pp. 25-30, 2005 Winter
Photocopied typescript. Allen Ginsberg, "Imaginary Canto" for Ezra Pound, 1967 October 30
Photocopied typescript. Robert Creeley, "Canto You Name It", "Fragmenti", circa 1967-2003
Photocopied article, with signed inscription. E. P. Walkiewicz and Hugh Witemeyer, "Ezra Pound's Contributions to New Mexican Periodicals and His Relationships with Senator Bronson Cutting," Paideuma 9:3, pp. 441-459, 1980 Winter
With signed inscription by Witemeyer.
Exhibition catalog. The Special Collection of Modern Literature: A Record of Five Years' Growth: An Exhibit at Washington University: Catalog , 1969 March 15-May 30
Includes item for Robert Creeley holdings and photo of his manuscripts.
Announcement. "Poetry Reading: Robert Creeley and Ted Berrigan, Tuesday, July 20th [1971], 8:30, Intersection, 756 Union ST.", circa 1971
Poster by Joe Brainard.
Announcement. "Poeti in Piazza" Mercoled 29 Maggio 1985 - Ore 17, Venice, Italy, 1985 May 29
Creeley read at this reading.
Pamphlets. "Basil Bunting: Poet of the North: A Celebration, March 1st-3rd 1990," and "Basil Bunting Poetry Archive Appeal", 1990 March
Card. "Cletus Johnson, Robert Creeley, April 6- May 1, 1991," Nina Freudenheim Gallery, Buffalo, New York, circa 1991 April-May
Cletus Johnson, "Fat Fate #3 Collage" on cover.
Card. "Cletus Johnson, Opening Reception, Thursday, March 12 [1992], 6:30-8:30 P.M.," Gallery Camino Real, Boca Raton, Florida, circa 1992
Cletus Johnson, "OH OH" on cover.
Pamphlets and award, with an announcement. "Verleihung des Horst-Bienk-Preises für Lyrik an Robert Creeley und Walter Hollerer, Dienstag 7. Dezember 1993, 19 Uhr, Munchen, [Germany]," and "Western Front New Year's Eve Concert, December 31, 1993, Steve Lacy & Irene Aebi", 1993 December
Creeley and Hllerer were awarded the Horst Bienek Prize for Poetry together. The contents of the twenty-seven page pamphlet include "Laudatio auf Robert Creeley" by Klaus Reichert, and acknowledgements by Creeley and Hllerer, respectively.
Letter with enclosure. Fielding Dawson, New York, New York to Robert Creeley, Buffalo, New York, 1982 April 21
Discusses an interview with Creeley in C-Express, and a recent visit to Buffalo. Also discusses publishing possibilities and Creeley's upcoming trip to England. Enclosed is a postcard sized color paper collage. With manilla envelope with writing in Creeley's hand on back: "Fee's collage enclosed."
Letter with enclosure. Gerard Malanga n. p. to Robert Creeley n. p., 1999 September 28
Letter mentions an exhibition of Creeley and Joe Brainard, which Malanga visited at the New York Public Library. Seems the letter originally included an enclosure of "archival pix, taken by Charles's friend, Indra." Also provides Malanga's new website. Enclosed is a poem - at once the list of photographs - 'Dog Barking' "for David Moriyama," signed by Malanga and dated "27:ix:99 nyc."
Letter with enclosure. Charles Bernstein, New York, New York to Robert Creeley, Buffalo, New York, 1980 September 5
About 75-word ALS. With photocopy of Bernstein's "Thought's Measure," described as "notes from a series of eleven workshops at the St. Mark's Poetry Project in the Winter of 1980," with several corrections in Bernstein's hand. With postmarked manilla envelope.
Photocopied poems. "Gedichte von Robert Creeley", undated
German translations beside Creeley's original poems: "I Know a Man," "For Love," "The Language," "After," "The Edge," "Mother's Voice."
Photocopied lecture. "Laudatio auf Robert Creeley, Bayerische Akademie der Schönen Kunste, München, 1993 December 7
Photocopied article. "Robert Creeley, 1926-, Contemporary Authors Autobiography Series, Volume 10, undated
Offset printed poems, with signed inscription. Robert Duncan, "A Seventeeth Century Suite in Homage to the Metaphysical Genius in Poetry (1590-1690): Being Imitations, Derivations & Variations Upon Certain Conceits & Findings Made Among Hard Lines," "Passages 36," [Bertholf A44], undated
With signed inscription and note beginning "To Bob & Bobbie" on back of last page.
Offset printed notes and letters. Robert Duncan, "from Notes on the Structure of Rime done for Warren Tallman, Spring 1961" [Bertholf C244], "Notes 1973: A Psycho-Physiognomy," "Some Letters to Charles Olson" as in Maps #6, 1974
Photocopied poem. John Cage, "Writing Through The Cantos", undated
An earlier draft of the published piece.