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Writes to confirm that Creeley can use a William Carlos Williams quote, and mentions Williams' recent bad health.

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Postmarked July 12. First (about 560 words) discusses a job proposal in San Francisco and Briggflatts. Second (about 850 words) discusses publicity interest in Bunting and imminent Bunting publications.

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Signed "Merry Christmas Bob, B." Poem titled "Ode II/2" with two four-line stanzas. Ornate design in red ink on cover flaps. Address of Fulcrum Press on back and "PRINTED BY GOLIARD PRESS."

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About 120 word ALS discussing travel plans. Pamphlet inscribed and signed on cover with a few corrections inside in Kitaj's hand. First page: "Excerpts from an after-dinner speech delivered at London and entitled: THIS MUSEUM SHOWS ALL KINDS OF SOCIAL AND SELF ABUSE YOUNG BOYS NEED IT SPECIAL." University of California, 1967. Accompanies an exhibition at the University Art Museum in Berkeley, California, October 7 to November 12, 1967. Postmarked manilla mailing envelope.

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Letter offers corrections to Creeley's introduction to Charles Olson's Selected Writings, and discusses the possibility of publishing Olson's best letters. Also seven-page photocopy of Butterick's "Olson Chronology." Also a photocopy of Butterick's "A Charles Olson Checklist," West Coast Review.

Scope and Contents Letter discusses enclosures, and professional prospects and difficulties, and status of New American Poetry, especially in contrast to a recently attended Robert Lowell reading. Mentions recently ended relationship with Jane Shore. Enclosed is a photocopy of a recommendation letter for Grenier from George Starbuck to Professor Bruce Mazlish at M.I.T. dated May 3, 1977. Also enclosed is a fifteen-page photocopy of Grenier's "136 seperate poems from SENTENCES" with a signed...

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An extended response to a Tom Clark piece. Prynne discusses Poetry Wars, and the tendency, especially with Whitman and then Pound, of U.S. poets to form teenage cults. Further discusses the British poetry scene, late capitalism, and a Chinese chronicle-novel he is reading.

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Discusses an interview with Creeley in C-Express, and a recent visit to Buffalo. Also discusses publishing possibilities and Creeley's upcoming trip to England. Enclosed is a postcard sized color paper collage. With manilla envelope with writing in Creeley's hand on back: "Fee's collage enclosed."

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These items were placed at pp. 4-5 of The Ampersand from April 1996 (see EPH 5009-85). Letter mentions Tom Raworth's "project" and discusses work life. Enclosed is a three-page photocopy of Grenier's "FOR TOM RAWORTH ALIVE / I SAW MY POEMS."

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Writes after Creeley's recent visit. Mentions TV and radio interviews with Creeley, and discusses spending time with Hugh Kenner in Venice at the Joyce Symposium. Enclosed are five color photographs of Creeley, apparently while being interviewed at a table covered with his books. With postmarked envelope.

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Letter mentions an exhibition of Creeley and Joe Brainard, which Malanga visited at the New York Public Library. Seems the letter originally included an enclosure of "archival pix, taken by Charles's friend, Indra." Also provides Malanga's new website. Enclosed is a poem - at once the list of photographs - 'Dog Barking' "for David Moriyama," signed by Malanga and dated "27:ix:99 nyc."

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An "e-pome" between Nudel and Creeley, with cover illustration by Nudel. Numbered on back "8/10." With plastic covering.

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About 75-word ALS. With photocopy of Bernstein's "Thought's Measure," described as "notes from a series of eleven workshops at the St. Mark's Poetry Project in the Winter of 1980," with several corrections in Bernstein's hand. With postmarked manilla envelope.

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Handwritten poem on ad for Pier 1 imports.

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German translations beside Creeley's original poems: "I Know a Man," "For Love," "The Language," "After," "The Edge," "Mother's Voice."

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With signed inscription and note beginning "To Bob & Bobbie" on back of last page.

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An earlier draft of the published piece.

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A version of the aborted Pierrepont Press edition of April 1969 and the prototype for the Tuumba Press edition of 1980. Enclosed is an illustration by hand of the Löwenbräu logo.

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The note on the cover page to the manuscript reads: "WAKE UP- Here's some, Love, Bob G. -want to come to reading but otherwise let's sit around This aft.? EAT with Benny & his? I'll be back here by 3."