Representation of a famous 1559 auto-de-fe in Valladolid, showing stages and audience, procession, and burning of convicted heretics. Includes numbered explanatory legend indicating details such as the degradation of Augustin Cazalla.

There are two copies of the same image of varying quality, both hand-colored. Both depict a burning on the docks in Lisbon, before a large crowd, at the conclusion of a public auto-de-fe. Only one copy has French text, along with a manuscript note in Dutch. The other may be from a different printer.

Nineteenth-century sepia photograph (numbered 109) of an original painting in the Prado, depicting the staging and audiences at a major auto-de-fe. The view is similar to engravings found in Olmo's 1680 Relacion for the event. Quite faded.

Public edict by the Archbishop of Mexico stating that while the Inquisition may be extinct, the prohibitions on written works from the Indices expurgatorios are still active. Contains wax seal.

Printed certificate with decorative border and image of St. Peter Martyr, naming Juan Alonso de Salamanca a familiar of the inquisition. Contains signautres, and a later family tree on verso showing Salamanca's linear descendants to the 1670s.

Copy of a document first published in Puerto Principe [Port-au-Prince?], 1815. Family history of condemnation by the Inquisition was one of many aspects taken under consideration, as was history of menial labor and blood purity (limpieza).